We all watch movies. Excellent movies. Poorly made ones. Those that make you sit through and love them. Those that make you want to rush out of the theatre after the first half hour or so.
Last week, my friends, my husband and I, caught up with Slumdog Millionaire and Luck By Chance. About Slumdog Millionaire, enough has been said, debated and dominated TV ever since its Golden Globe awards day. I have my views about the movie. But would rather reserve it for later.
Luck By Chance, a movie closer home, literally speaking, is worth a few paras though. Am writing this in spite of poor box office ratings for the movie. I live in Goregaon, adjacent to Film City in Hindi film heartland and even gaze at the green acres of this studio space spread over the Aarey Colony area, from the almost-dead end of my road.
Subhash Ghai's Whistling Woods - the acting school, sheds that are studios, a set being made or another being removed while farmers are working away in fields nearby, or the sky-scrapers not far off from there, looking odd with their bizarre match-box like appearance. I do wonder about the anonymous lives led by the unit men behind glitz and have visited a set once too.
Having lived in Mumbai for the last one year and more, I have felt the pulse of this city, its obsession with Hindi films, glamour and glitz, like never before.
Much before I set foot in Mumbai, films like Page 3 and Corporate that came closer to the realness of Mumbai stayed with me. Luck By Chance that leaves you with its larger message without being preachy, that prompts us mortals to look within, is a movie that gets me feel closer home more now than any other movie does.
It is a movie dealing with Hindi movie industry as its backdrop. True we had a cinematic colour-palette in the name of Om Shanti Om not long back. True we also had a Nagesh Kukkunoor spoof Bollywood Calling that poked fun at the industry years ago. It touched its bit about the frustrations of a junior artiste in a saleable sort of way.
Luck By Chance is more true to the subject it deals with, than many other films I watched over the last few years.
It is also true to its characters. The last time I watched some good characters was in Jab We Met. The bubbly Geet and her dejected co-traveller. Despite that movie slowing down to a fault in its second half, these characters have stayed in our minds for long.
I liked the small-town con-couple characters in Bunty Aur Babli too, many moons ago.
With Luck by Chance, an effort has been made to bring out the real characters that so make up Mumbai's different suburbs and their Bollywood way of life. Some amazing one-liners, a seemless script, good acting by the ensemble cast - to top it, the effort to bring forth a deglamourised side of the industry.
Such aspects have been covered by other films too. But what went in this film's favour was its restrained approach. Its protagonists had their roles, yes. A sound story would go beyond the main leads and also explore characters that fit the story otherwise. Which other film has projected that awkwardness where a scantily clad heroine is asked by her mother, to touch the producer's feet? Or where better still, to find studio flats that the strugglers live in?
A star dumping his producer mentor, a wannabe hero dumping his heroine, a producer breaking his protege's trust by denying her a role in his film after making her wait for three years or more, the unsaid yet not understated hierarchy among even producer-wives (veterans and new-comers), corporates with little understanding of cinema trying to `reform' it with jargon.
Watch the scene where Konkana Sen aka Sona Mishra speaks volumes without a word when her producer has just ditched her and she knows not how to express it.
Or when she rejects her lover's apology. Watch out also, for that scene where a car develops snag, and Hrithik Roshan playing Zafar Khan, the superstar, closes his car-window to stay off kids from a nearby slum. He gets playful with his hands on the glass too...that's the distance between the artificial lives our stars lead, and the realness of the poverty and struggle outside.
The astrology-obsessed Romy Rolly played by Rishi Kapoor who decides to pay a measly Rs 50,000 to his new hero as his lucky number is 5. His animated wife Minty played by Juhi Chawla. Watch out, for the film magazine covers designed on-screen, and the characters saying out their rehearsed lines -`We are just friends'...
Or when Dimple Kapadia's character Neena Walia projects her insecurities about a flatterer Vikram (Farhan Akhtar) who is just getting cozy with her daughter, and utters her mind about Hindi film industry that `should not' be called Bollywood instead.
I liked the scene when Shah Rukh Khan puts Vikram Jaisingh in place with his advice - universal at that. To stand by people who have been with you, when you were nothing.
Few films leave a good after-taste for long after you leave the theatre. Fewer still, need some patience on your part to enjoy their subtelities. Some films are about you. Some about people around you. Or your city.
Luck By Chance is a mix of all these. It may not have the hype of Ghajini or Chandi Chowk to China to back it. But it's a good film - one of the few that manage to do justice to an ensemble cast.